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Dzulfahmi’s body of work, rooted in the Indonesian creative landscape, holds space for a catalog of releases that resist easy categorization under mainstream musical frameworks, and DZUL stands as a key entry in that growing, boundary-blurring collection. As a work that falls under the broad umbrella of Music/Other, DZUL does not align with the typical genre signifiers that are used to sort and frame many commercially distributed albums, instead existing as a distinct piece of its creator’s output that carries only the creative priorities Dzulfahmi brought to its making, unbound by the unspoken expectations that often come with assigning a work to a pre-established, widely recognized genre.
