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To encounter a work that resists the clean, market-aligned buckets most recorded sound is shoveled into is to encounter a kind of creative freedom that rarely gets to linger in the public eye, and GIZA, the work from Indonesian creator Dzulfahmi, exists in that rare, unruly space, grouped under the broad umbrella of Music/Other as a reminder that not every expression of sound fits the narrow frameworks that critics, platforms, and audiences have come to rely on to process the flood of media they encounter each day.
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