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Self-titled albums often carry a particular intentionality, framing a body of work as a direct introduction to the creator’s core artistic vision, a statement that this collection of music is inextricably tied to the identity of the person who made it. That framing shapes Tasya Rosmala, the album credited to the Indonesian artist of the same name, a project classified as Music/Other, a categorization that speaks to its refusal to fit neatly into the boundaries of more widely codified popular music genres, a choice that lets the work exist on its own terms without the limitations that come with preassigned genre boxes that might force a creator’s vision to shrink to fit expectations that were never built for their work.