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Works that resist the narrow, often limiting boundaries of pre-defined genre categories occupy a unique space in the global catalogue of recorded sound, tagged to reflect their refusal to be boxed into frameworks that can never fully capture the range of creative expression artists bring to their practice. Risk It All, credited to Bruno Mars and rooted in the Philippines’ vibrant, interconnected community of creative practitioners, carries the triple Other genre tag to signal that it defies all attempts to slot it into the standard genre buckets that organize most large-scale collections of sound. This classification is never a mark of ambiguity, but rather a deliberate choice to center the work’s own identity over the needs of cataloguers to sort creation into easily marketable or searchable bins, a choice that aligns with the core ethos of the catalogue’s commitment to centering the art and the artist first, rather than the structural demands of maintaining a large, accessible archive.
Risk It AllDasi boey
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