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For decades, global music archiving and distribution systems relied on a rigid set of genre labels designed to organize the vast volume of creative output released each year, a framework that often sidelined or miscategorized work that did not fit the narrow, Western-centric definitions that shaped most early cataloging systems. As those systems evolved to meet the needs of a global community of creators and listeners, new categories were added to hold work that resisted easy classification, creating space for artists to share their music without forcing their creative identities into boxes that never fit their unique vision. That evolution opened doors for artists across the Global South, particularly creators in the Philippines, whose rich, varied musical ecosystem has long produced work that draws on centuries of cultural tradition, local scene influence, and cross-cultural exchange that rarely aligns with the generic genre labels used to categorize most Western popular music.
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DamageAntonio Blanco Jr
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