Skusta Clee, the creative force behind the Filipino sound Zebbiana, works within a global landscape of musical creation that often pushes past the boundaries of the categories most listeners use to organize and engage with recorded music, a reality that is reflected in the genre tagging applied to this work, which lists three consecutive entries of “Other” to signal its resistance to easy alignment with any of the standardized genre buckets that structure most mainstream music catalogs. That resistance to categorization is far from an accident or a flaw in cataloging, but rather a common thread for creators building work that draws from overlapping, niche, or locally specific musical traditions that have not yet been formalized into the universal genre frameworks that shape how most global audiences encounter recorded music.