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When pop’s global expansion began to center the unvarnished, unapologetic specificity of creators who turn personal reckoning into universal resonance, Kenyan pop’s contributions to that wave only deepened the form’s ability to meet listeners exactly where they are, with Too Late carving out its own space in that sprawling, boundary-redefining ecosystem. That ecosystem, which has been shaped by landmark releases that rewire what pop can be and who it can speak for, found one of its most definitive entries in SZA’s long-awaited sophomore album SOS, a project that redefined the terms of mainstream pop impact by refusing to bend to any narrow idea of what a pop record should sound like or say.
Too LateJemima Osunde
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