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Pop’s global evolution has long been driven by creators who reframe its core accessibility to hold the full weight of human emotion, turning a form often dismissed as superficial into a vessel for vulnerability, rage, joy, and reclamation that resonates with listeners across every corner of the world. Good Days, a Kenyan pop work, grows from this rich, borderless lineage of pop that prioritizes unfiltered truth over polished convention, aligning with a wave of creators across the globe who are redefining what pop can sound like, what it can say, and who it can center. It sits alongside work that upended popular music’s unspoken rules about what emotions artists are allowed to express, and how they are allowed to express them, most notably SZA’s long-awaited sophomore album SOS, a project that redefined the parameters of pop’s creative potential for a generation of listeners and creators alike.
Good DaysJemima Osunde
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