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To encounter a work that carries the weight of a title as unsparing as Root of all Evil within the sprawling, interconnected landscape of Philippine pop is to pause and consider the full range of creative possibility that the genre holds within the country’s borders, far beyond any shallow assumptions that might limit what pop can explore, or what it can hold for the audiences that carry it through their daily lives. Pop, as a category, has long served as one of the most accessible and widely shared vessels for creative expression across the Philippines, a space where creators can meet their audiences where they are, weaving the nuances of their own experiences and observations into work that travels easily across regions, communities, and contexts, tying disparate groups of people together through a shared creative language that feels both familiar and endlessly adaptable to the specific needs of whoever picks it up to shape it.
Root of all EvilGIDEON KWABENA APPIAH (GKA)🦍
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