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Across the scattered island chains that make up the Philippines, folk recording practices carry forward threadlike connections to shared and regionally specific creative lineages that shape how oral and recorded traditions intersect for new audiences. Tanging Ligaya sits within this lineage, rooted in the folk classification that anchors it to the longstanding practice of gathering and documenting community-centered sound work that emerges from local contexts across the nation’s many distinct cultural and geographic zones. Every choice that shapes this sound aligns with the core of regional folk documentation that prioritizes capturing work that might otherwise remain tied only to specific local gatherings, rather than being accessible to listeners who seek out folk sounds from across the Philippines to engage with the breadth of creative expression that emerges from the archipelago’s diverse communities.
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Tanging LigayaSarah Elizabeth
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