Within the shared documented professional catalogues of Ariana Grande and Zedd, Break Free occupies a distinct space tied to the Philippine market for which it is credited, anchored to the broader Universal Records umbrella that frames its associated album context. As a catalogue snapshot, this entry centers the placement of the sound recording within the formal archival and distribution frameworks that organize the full scope of work attributed to both artists, prioritizing the specific identifiers that link the recording to its creators, its origin market, and the institutional structure that supports its circulation.