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Ipank, whose creative practice is rooted in Indonesia, builds a catalogue of sound works that consistently refuse to fit within the standard genre frameworks used to organize most music around the world, and Mutiara occupies a clear, distinct space within that body of uncategorizable output. Unlike works that slot neatly into recognizable genre labels that signal their core sonic, structural, or cultural ties for audiences and archivists alike, Mutiara joins the array of Ipank’s creations that resist such simple classification, landing in the catchall category that holds work that defies easy alignment with the genre rubrics that structure most catalogues of recorded sound.
MUTIARANANCY G
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