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The quiet resistance that comes with crafting a body of work that refuses to slot into the preexisting boxes that often dictate how audiences engage with recorded music is exactly what Cup of Joe has shaped with Multo, an album rooted in the creative landscape of the Philippines that carries all the nuance, specificity, and unruliness of a project made not to fit external expectations, but to meet the artist where their imagination led them, uncompromised by the pressure to align with trends, tropes, or the categories that structure most people’s casual and critical interactions with music.
