The framing of this work as a catalogue snapshot centers the unique identity of Through The Wars as a distinct entry in the full scope of recorded work it belongs to, positioning it not as a minor or secondary piece of output, but as a meaningful contribution to the larger body of creative work that the artist has built over the course of their practice. This approach rejects the common urge to order works within an artist’s catalogue by unconfirmed, arbitrary metrics, from commercial performance to hypothetical release timelines that carry no documented weight, and instead anchors each entry to its core confirmed attributes: as a pop sound tied to the creative community of the Philippines, bearing the title that marks it as a unique piece separate from every other work in the artist’s catalogue.