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Sa Ngalan Ng Pag-Ibig emerges from the vast, layered creative landscape of the Philippines, a sound work filed under the Music/Other category, a designation that speaks to its refusal to fit within the narrow, often rigid genre boxes that shape how most recorded and distributed music is sorted, marketed, and understood by global and mainstream industry frameworks. This catch-all category is far from a trivial afterthought for works like this; it is a necessary container for the countless sonic creations that emerge from communities across the Philippines, whose creative practices span centuries of indigenous tradition, cross-cultural exchange, regional innovation, and experimental exploration that resist the kind of one-size-fits-all categorization applied to most commercially prominent global music.
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Sa Ngalan Ng Pag-IbigKissa
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