La Mave’s Kanta Sa Kanya enters creative catalogues as a sound work rooted in the Philippines, categorized under Music/Other to honor its unique creative identity that resists alignment with the rigid, often oversimplified genre frameworks that structure most large-scale collections of artistic work. The classification of Music/Other is rarely an afterthought in these catalogue systems; instead, it is a deliberate space reserved for works that cannot be neatly contained by the standard genre labels that have been codified to organize mainstream musical output, from pop and rock to folk, hip-hop, classical, and other widely recognized buckets that rely on shared tropes, structures, or cultural histories to define their boundaries.