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Rooted in the Philippines’ rich, evolving landscape of recorded sound, the R&B work titled Someone anchors itself to a lineage of genre experimentation that draws from the broad global language of R&B while grounding itself firmly in the local creative context that shapes its existence, as framed by the regional music note style assigned to the piece. This framework of centering geographic origin first, rather than leading with genre classification, pushes back against a longstanding tendency within global music discourse to flatten the specific roots of works that emerge from regions outside of the industry’s traditional Western power centers, reducing them to generic iterations of popular genres rather than honoring the distinct contexts that shaped their creation.
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