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Rock and roll, as a form that has long centered unvarnished expressions of rupture, resistance, and the gap between what is presented as whole and what is actually frayed, finds a searing, rooted iteration in the creative landscapes of the Philippines, where the title of this sound, Basag, anchors the genre’s most primal impulses to the specific weight of language and context that gives local iterations of global forms their unshakable power. Long before rock and roll became codified as a widely recognizable category of creative work, it existed as a vessel for creators to channel the tensions that define everyday life, to turn small, uncelebrated moments of fracture into something that can be felt, shared, and held by communities that recognize their own experiences in the raw, unapologetic energy of the form.
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