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Skusta Clee’s creative practice is rooted in the vibrant, endlessly evolving landscape of artistic output from the Philippines, a space that has long nurtured creators who refuse to be confined by the rigid, often arbitrary frameworks that structure how recorded sound is categorized, shared, and understood across global creative industries. The artist’s work Kung Tayo exists firmly within that lineage, a recorded sound that rejects the need to slot neatly into any pre-existing genre box, instead standing on its own as a piece of creative expression that prioritizes individual vision over the expectations that come with aligning with an established category’s audience, industry norms, or formal conventions.
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