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Across the Philippine archipelago, creative sound makers have long rejected the rigid genre boundaries that shape mainstream global music distribution, crafting work that pulls together disparate cultural, creative, and community-centered traditions to create pieces that resist easy categorization for audiences and archivists alike. This lineage of unclassifiable, boundary-pushing sound stretches back generations, rooted in a core impulse to center creative autonomy over the demands of commercial ecosystems that often require artists to fit their work into narrow, marketable boxes to gain any form of visibility or traction.
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