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To encounter a sound stitched from the quiet, untranslatable specificity of its origin is to hold something that resists the flattening of global cultural exchange, a piece that carries the full weight of the place it emerged from, even as it reaches anyone who pauses to sit with its layers, turning over the choices that led to its creation and the identity of the person who brought it into being. For Earl Agustin, whose work materializes as Dalangin, a sound rooted in the Philippines, the act of making and sharing this work is an act of tying one’s creative identity to the land and community that shaped every part of their artistic impulse, even as the work itself exists as a standalone entity that can be interpreted and held by anyone who comes across it.
DalanginSeeta.❤ G.c
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