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Categorizations of recorded sound rely on shared language to connect audiences to work that aligns with their tastes, but that shared language often fails to account for the full scope of creativity that emerges from regions outside the global cultural centers that shape most standard genre taxonomies. For creators working in the Philippines, whose musical ecosystems blend centuries of regional creative traditions, imported popular forms, and emergent experimental practices that draw from both, the limitations of standard genre labels often become impossible to ignore, leaving many works to fall outside the pre-defined boxes that streaming platforms, retail listings, and music journalism rely on to organize cultural output.
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Sumabay KaCynthia Soza Banda
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