Filipino DJ culture has long existed at the intersection of overlapping sonic lineages, many of which resist the narrow, one-size-fits-all genre labels that dominate global music catalogs. Dj Mogo, the credited artist behind Hawak Mo Ang Beat (DJ Edmyr Remix), carries that same uncategorizable energy, with the recording landing with a triple listing of “Other” across all assigned genre fields, a quiet marker of the ways that creators working outside of the most commercially dominant global mainstream often get sidelined or misclassified by systems that were never built to center the creative output of Southeast Asian artists. To be slotted into the “Other” category in any music classification system is to be marked as outside the assumed norm, the default set of sounds that curators, distributors, and archivists recognize as legitimate, distinct, or marketable enough to earn their own named genre.