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To frame Panahon through the lens of a catalogue snapshot is to center its exact place in the full scope of the artist’s collected recorded output, positioning it not as a standalone piece of media but as a distinct, meaningful entry that exists in conversation with every other sound the artist has put to record. This approach rejects any arbitrary ranking, ordering, or contextual framing that pulls from unconfirmed sources, leaning instead on the formal attributes that define the work as it exists in the official catalogue: a rock and roll sound originating from the Philippines, carrying all the structural and cultural ties that come with that identity, without grafting on unsubstantiated details about its creation, its placement relative to other works in a timeline, or any narrative that isn’t formally documented as part of the artist’s official body of work.
PanahonAlbert Herrera
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