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Wali’s collected body of Indonesian creative sound works anchors Puaskah as a fully documented entry in the artist’s official catalogue, a title that occupies a unique niche within the archive of works credited to the creative entity. From its classification as Music/Other, Puaskah stands apart from works in Wali’s catalogue that might fall into more widely recognized genre silos, a positioning that signals it exists outside the narrow bounds of the categorical labels that are most often used to group and contextualize music released by Indonesian creators. As a sound resource in its own right, Puaskah carries all the weight of a core addition to Wali’s catalogue, even as no additional public, verified details about its place within a larger release sequence, its companion works, or its specific creative underpinnings are part of the documented record that shapes how audiences engage with the artist’s full body of work.
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