Indonesia’s wide and varied landscape of recorded creative sound encompasses a rich array of works that stretch beyond the familiar genre categories that often organize mainstream music distribution and consumption, holding space for both longstanding local creative expressions and new, experimental audio projects that carve out their own space in the global ecosystem of recorded sound. Within that landscape sits the collaborative work of Tenxi and Jemsii, whose shared sound Bayangno Awakmu exists as part of the broad classification of Music/Other, a categorization built to hold creative audio works that resist easy alignment with the more standardized, widely recognized genre labels that are frequently applied to recorded music.