Indonesia’s rich, diverse ecosystem of recorded sound includes thousands of works that push beyond the standard genre frameworks often applied to commercial music from global markets, requiring flexible classification that can hold space for creations that resist easy categorization within more rigid, established genre buckets. For the sound recording Jaga Slalu Hatimu, that flexible classification takes the form of the genre tag Music/Other, a designation that acknowledges the work does not align neatly with the narrower genre definitions that catalogues use for many mainstream pop, rock, jazz, or classical recordings, and one that aligns with the core values of responsible, inclusive catalogue management.