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The flexible, boundary-breaking space of the Music/Other/Other classification exists to hold the creative work of artists who refuse to be confined by the rigid genre silos that have long structured how the music industry creates, markets, and sorts recorded sound. Far from a generic catch-all for works that don’t fit anywhere else, this category is a deliberate rejection of the pressure on creators to trim the edges of their vision to align with the expectations of a pre-existing genre, whether that’s the commercial demands of pop, the structural norms of rock, the rhythmic conventions of hip-hop, or any other established label that comes with unspoken rules about what a work in that category should sound like.
