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Across the sprawling archipelago that makes up Indonesia, creative practices of recording and sharing regional music have long centered iterative volumes that build on the foundation of earlier releases, a tradition that carries through to the curation of global world music catalogs that center work rooted in specific national contexts. The classification of world music itself is built around centering works that draw from localized creative traditions, moving beyond the dominant mainstream sonic frameworks that often overshadow smaller-scale, regionally rooted recorded works, and Noer Halimah Vol. 2 fits firmly within that lineage of cataloging that prioritizes work originating from Indonesia’s rich landscape of recorded music.
