Niken Salindry’s Kawitaning Sinawang emerges from Indonesia’s sprawling, culturally rich archipelago, a sound work categorized as Music/Other to reflect the kind of creative output that defies the narrow, often Western-centric genre frameworks that shape most mainstream music cataloguing systems. Too often, genres are built around the sounds that dominate global commercial markets, forcing regional, locally rooted works from across the Global South to bend to labels that were never designed to hold their specificity, erasing the cultural contexts that give those works their core meaning. The Music/Other category pushes back against that erasure, creating space for sound works that cannot be neatly slotted into pop, rock, jazz, classical, or even the narrow range of world music subgenres that often flatten the diversity of creative practice from nations like Indonesia, which is home to hundreds of distinct ethnic groups, each with their own long histories of sound-making, storytelling, and artistic expression.