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For global music cataloguing frameworks, the repeated assignment of an “Other” genre tag serves a specific, purposeful function: it identifies a work that cannot be accurately contained by any of the standardized, widely recognized genre categories that structure most music collections, a designation reserved for recordings that resist simplistic sorting, that draw from too many overlapping, distinct musical traditions, or that emerge from regional creative scenes so vibrant and idiosyncratic that they outpace the slow evolution of formal genre labels.
Kelingan MantanPatel Urvish
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