The collaborative creative output that yielded Kesayangan, the Indonesian sound from Ndarboy Genk and Mabes Balker, is framed through a chronological profile, an editorial approach that layers any available contextual detail about the pair’s creative journeys in sequence, leading audiences through the line of work that precedes and culminates in this specific recording. Because the sound is categorized under three distinct “other” genre labels, it avoids being constrained by the assumptions that come with widely recognized genre classifications, which often carry unspoken expectations about sonic choices, audience alignment, and cultural placement that may not fit the unique identity of the work. A chronological profile is uniquely suited to support a work that rejects easy genre categorization, as it centers the creative progression of the artists behind it, rather than sorting the recording into pre-existing bins that might strip it of its specific context and character.