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Perunggu crafts a sound rooted in the expansive creative landscape of Indonesia, one that defies the narrow categorizations that shape how most recorded music is shared, framed, and consumed. Titled Kalibata, 2012, this work lands outside the standard industry taxonomies that slot most releases into pre-existing buckets of pop, rock, folk, electronic, or any number of widely recognized genre labels, instead occupying the intentionally open, unconstrained space marked Music/Other/Other, a classification that signals a work that cannot be contained by the limits of existing curatorial or market categories.
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Kalibata, 2012Lintle Mosola
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