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The broad designation of Music/Mix, a framing that rejects the narrow, prescriptive taxonomies that have long limited how audiences and archivists engage with recorded sound from across the globe, carves out a space for creative work that refuses to adhere to the unspoken rules that demand any sound fit neatly into a single, marketable category, and that work, titled Rehat, emerges from the Indonesian archipelago, a context where the very idea of singular, fixed sonic identity has never held much weight, given the centuries of exchange, collaboration, and creative reinvention that have shaped cultural production across every one of the nation’s thousands of inhabited islands.
RehatHamza
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