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Other music as a categorical space rejects the rigid, genre-labeled silos that often box creative work into pre-existing audience and industry expectations, allowing uncategorizable, boundary-pushing work to exist on its own terms without the pressure to fit into commercial or critical frameworks that demand easy categorization to reach audiences. Genre categorization as a practice has always been a flawed tool, designed more to streamline mass distribution and marketing than to capture the full breadth of creative expression that artists across the globe bring to their work.
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