Isyana Sarasvati’s Game of Love emerges from Indonesia’s vibrant community of recording artists, a body of creators whose work often pushes against the limiting genre frameworks that have long structured global music distribution, leading many to be placed in catch-all categories that account for work that defies narrow, pre-set definitions. The classification of this sound as Music/Other is not a reflection of an incomplete artistic identity, but rather a marker of work that exists outside the boundaries of the most widely recognized genre labels, a reality that countless artists based outside of the dominant Western music industry have long navigated, as their creative impulses, cultural references, and sonic explorations rarely align with the rigid categories that were built to center and organize work rooted in those dominant cultural spheres.