Isyana Sarasvati and VIDI’s Frenemy emerges from Indonesia’s vibrant, boundary-pushing community of sound creators, a cohort that has consistently turned away from rigid genre conventions to explore the full spectrum of what audio work can communicate. Tagged as Music/Other, this sound rejects the sort of limiting categorization that would force it to align with the narrow, market-driven genre buckets that dominate most global music platforms, choosing instead to occupy a space reserved for work that defies easy labeling. The Music/Other tag is never just a throwaway default catch-all for work that fails to fit a preexisting box; it is a space for creators who intentionally cross, break, or rewrite the unspoken rules of what is expected of recorded sound, blending influences, approaches, and perspectives that don’t neatly slot into the established lines of pop, folk, electronic, classical, or any other standard genre designation.