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Anggis Devaki and Betrand Putra Onsu, the two credited creators behind the Indonesian sound Percuma, have crafted a work that falls under the broad, open-ended classification of Music/Other/Other, a categorization that rejects the narrow generic constraints that shape most commercially distributed music, and ties the piece to the larger catalogue of HITS Records, the entity whose related album context frames Percuma’s place within a growing body of work that centers creators whose sonic visions resist easy grouping into pre-existing genre buckets. The choice to place a sound outside of more recognizable genre labels is far from a casual one; it is a deliberate framing that allows the work to stand on its own merits, unburdened by the pre-conceived expectations that come with labeling a creation as belonging to a specific, widely known genre.
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