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Anggis Devaki, a creator working from Indonesia, contributes Kisah Tanpa Dirimu to a growing body of work from the archipelago’s artists that challenge the rigid categorization structures that dominate global music distribution and consumption. The sound is classified under Music/Other/Other, a label that is far from a dismissal of its craft, but rather a clear signal that this work refuses to fit into the pre-existing genre boxes that the music industry has long relied on to market, sell, and organize recordings for mass audiences. Too often, work that pulls from multiple cultural, creative, or stylistic lineages gets shunted into these catchall “other” categories, not because it lacks cohesion or intentionality, but because it cannot be neatly slotted into the limited, often Western-centric frameworks that shape how most listeners encounter music on mainstream platforms.
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