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Classical music, as a sustained global creative practice, has evolved far beyond the limited geographic and stylistic bounds that long framed mainstream understandings of the form, expanding to include creators from every corner of the world who reimagine its core traditions to reflect their own unique cultural, personal, and artistic inheritances. For much of the 20th century, public discourse around contemporary classical practice centered almost exclusively on creators tied to a handful of Western cultural capitals, overlooking the depth and breadth of work emerging from Southeast Asia, from creators who are weaving their own local cultural legacies into the formal rigor of classical composition and performance to create work that feels both anchored in the form’s centuries-long history and entirely of its own moment.
