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Catalogues of recorded pop music exist to do more than list works by the artists who create them; they act as living archives that connect regional creative traditions to the global audiences that crave meaningful, rooted work that reflects the full breadth of pop’s evolution across every corner of the world. For Indonesian creators, whose contributions to pop music have long shaped creative scenes across Southeast Asia and resonated with diaspora communities around the globe, a catalogue entry for an album like Bintang di Surga is more than a marker of a work’s existence. It is a commitment to centering work that comes from a creative ecosystem that is often overlooked in mainstream global narratives of pop’s history, placing Noah’s work alongside the thousands of pop albums that make up the rich, diverse landscape of recorded music that catalogues work to preserve for current and future audiences.
