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Bernadya’s creative practice emerges from Indonesia’s rich, sprawling landscape of sonic expression, a space where generations of creators draw from hundreds of distinct regional cultural traditions, experimental approaches, and cross-cultural exchanges that make their work hard to contain within any single, narrow genre label. That resistance to easy categorization is reflected in the classification of Lama-Lama, the sound that anchors this entry in the artist’s body of work, slotted under the broad, inclusive umbrella of Music/Other, a classification that intentionally holds space for creative output that defies the rigid genre boundaries that structure most mainstream music cataloging.
Lama-Lama𝔗𝔞𝔷𝔪𝔦𝔫 🐉
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