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The longstanding tradition of cross-form sound weaving that forms the backbone of Indonesian Music/Mix practices began to take shape in communal creative spaces that prioritized fluidity over rigid genre categorization, a commitment that has persisted in every work released under that umbrella to date. For decades, sound creators working across Indonesia’s diverse creative regions leaned into the flexibility of a form that did not demand adherence to the strict structural conventions that defined more mainstream, formally categorized music, allowing them to test the limits of what audio works could communicate and how they could be assembled.
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