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To encounter work filed under a set of unassigned, open-ended genre classifications is to encounter sound that rejects every unspoken rule that governs how creative music is sorted, categorized, and understood by the audiences that engage with it. Far from a placeholder for work that has not yet been assigned a more specific label, the choice to center work that exists outside of standard genre categories signals a radical commitment to artistic autonomy, a choice to prioritize the inherent, unclassifiable nature of the creative output over the convenience of slotting it into a preexisting framework that audiences and industry observers rely on to make sense of new sound.
33xBrenda Mackenzie 🇨🇮
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