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Works classified under Music/Mix within global cultural catalogues fill a critical gap, capturing creative output that draws from overlapping sonic lineages, experimental compositional choices, or cross-community cultural exchanges that resist the narrow, siloed genre labels often used to organize and access creative work. This category does not signal a lack of intentional craft, but rather a recognition that many sonic works cannot be contained by the limited set of pre-existing genre buckets that emerged from 20th century Western music industry frameworks that prioritized marketability over the full diversity of global creative expression.
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