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Music/Other, the broad, flexible classification that exists to hold creative works that don’t align neatly with the narrow, often rigid set of genre labels that dominate mainstream music categorization, frames Nateman’s Dapat Kitang Layuan, a work rooted in the creative landscape of the Philippines, that exists outside the bounds of more commonly cited musical genres that typically get assigned to artists working within the country’s rich, multifaceted creative ecosystem. Far from being a lazy catchall for unclassifiable work, the Music/Other genre designation acts as a deliberate recognition that many artists create output that defies the silos that streaming platforms, music industry archivists, and cultural gatekeepers often rely on to organize and market creative output.
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Dapat Kitang Layuankhalilalbalush1
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