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Pop as a recorded form in the Philippines carries with it a set of documented institutional and creative contexts that frame every work categorized within that space, and Gift Of Love occupies a distinct position within the full body of work assembled by the artist who created it, as captured by the formal catalogue that maps the scope of their creative output. To frame any work as part of an artist’s catalogue is to recognize that no sound exists in isolation, that each entry builds on the creative throughlines that tie an artist’s body of work together, even as each entry carries its own unique identity as a standalone recording.