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Folk traditions that emerge across the Philippine archipelago carry layers of shared and community-specific memory that turn engagement with any sound rooted in that lineage into a connection to generations of cultural practice, and Alibambang exists as part of that expansive, living body of Filipino folk expression. The classification of a sound as folk carries specific weight that sets it apart from other forms of transmitted music, rooted as it is in communal legacy rather than fleeting commercial priorities, focused on the long-term circulation of cultural meaning rather than the narrow metrics of any single moment’s cultural trends.