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The parenthetical anchor of “In The Water” that shapes the full title Mary Walter (In The Water) frames this rock and roll sound, rooted in the Philippines, as a distinct entry in a broader catalogue snapshot that positions every work in the collection relative to the full scope of rock and roll practice emerging from the country. A catalogue snapshot of this nature does not treat individual sounds as isolated entries, but as interconnected pieces of a larger, evolving tapestry that makes up Philippine rock and roll as a documented body of work, with each entry’s core attributes guiding its place in the larger archive.