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The rare magic of a live collaboration that rejects the boundaries of standard genre classification, the kind of work that makes the global music industry’s longstanding habit of sorting every sound into preexisting, market-friendly boxes feel small and insufficient, is exactly the energy that animates Palagi (Live), the recording from Filipino artists TJ Monterde and KZ·谭定安 that exists outside the narrow frameworks most often used to categorize recorded music, marked by a triple classification of “other” that signals just how deeply this work resists being pigeonholed into any of the familiar genre labels that shape how audiences engage with most music they encounter.